A Practical Approach To Television Violence Essays - Criminology

A Practical Approach To Television Violence As difficult as this issue is, I believe it can be addressed. My report shows that some progress has already begun in several areas. Attention needs to be focused on how and why some programming has begun to move in the right direction and why the rest has not. What this issue needs, more than anything else, is cool heads on all sides of the problem: the network executives, the creative community, the government, researchers and advocacy groups. All sides need to worry less about how each development affects only them and instead look at the needs of everyone.(U.C.L.A. 5) In the broadcast world, the four television networks, ABC, CBS, FOX, and NBC, have begun to get the message about television violence. The programming they completely control, series and television movies, has, for the most part shown some promising signs and now reflects, on the whole, relatively few issues of concern as compared to other network television formats. I contend that this is a result of consumer pressure, rather that governmental regulation. The violence contained in the most disturbing television series is minor in comparison to that contained in theatrical films shown on network television. And that violence, edited as it is, is tame compared to films shown in theaters, in home videos and on pay cable. Today, we see few programs with violence as their central theme. More programming uses violence well or does not use it at all. The public seems to be responding. Of the top 30 shows of the season, only two are listed as raising concerns about violence. It is possible to create popular programs that do not resort to inappropriate uses of violence. Advisories need to be more consistently applied here.(U.C.L.A. 13) Ultimately, however, it was the regulatory framework established by the Communications Act of 1934 and a belief and trust in the strong private broadcasting system that has been allowed to evolve within that framework that proved most crucial. Section 326 of the Communications Act provides the abiding standard. In matters of content, nothing in this chapter shall be understood or construed to give the [Federal Communications] Commission the power of censorship over the radio communications or signals transmitted by any radio [or television] station, and no regulation or condition shall be promulgated or fixed by the Commission which shall interfere with the right of free speech or radio communication.(U.S.C. 31) This body of laws clearly define any governmental involvement as a non-viable scenario. The only group involved in this volitile debate that feels otherwise is, ironically, the government. Must we, the people, obey the dictates of a government that refuses to obey those same dictates itself? The tension over potential content regulation that filled the air in the late 1960's and early 1970's, however, remains with us in the 1990s as we celebrate the sixtieth anniversary of the Communications Act. While more hearings and reports littered the landscape throughout the 1970s and into the 1980s, Congress assiduously avoided any acts that smacked of direct content regulation.(House 64) In 1990, however, this began to change as Congress took two significant steps that threaten to alter drastically the delicate balance previously maintained in this area. First, Congress passed the Children's Television Act of 1990, which not only sets advertising limits in children's programming but requires the FCC, for the first time, to consider the extent to which a TV licensee has served the educational and informational needs of children when reviewing that station's application for renewal of license. (Childrens 16) As the 1993 Senate hearings drew to a close, an illuminating exchange took place. The committee chairman, Senator Earnest Hollings (D,S.C.), after hearing witnesses from the major networks, sought to discredit their position by playing a video tape, in the hearing room, of a short clip from the half-hour situation comedy Love and War. The clip was from an episode in which the cast of male and female actors, departing from their usual comedic wit in a restaurant that serves as the show's regular set, engaged in a short slapstick barroom brawl scene. Senator Hollings seemed appalled, strongly suggesting that this type of prime-time violence was indefensible. Senator Conrad Burns

Free Essays on Parthenons Masterpieces

Greek art held many terrific pieces of art found in many structures with many different styles, but some of the greatest art could be found in the Parthenon. The Parthenon withheld many great metopes, friezes, and pediments that were all magnificent art with intriguing stories. The metope of the Lapith verses the centaur, the frieze showing the Panathenaic Festival, and the pediment that presents the three goddesses; narrate their individual stories in many ways. The metope on the south side of the Parthenon depicts a battle between a Lapith and a centaur. It shows a Lapith rising up on its back legs after striking a centaur to the ground. This tells us the story of how the Lapiths and the centaurs had contentions in which the Lapiths probably triumphed on more occasions. The sculptor knew how to distinguish the vibrant, powerful form of the living beast from the lifeless corpse on the ground. He illustrates how the Lapith screams victory by rising on its hind legs and stands directly over the centaur as if it had just risen from striking him down. This decoration in the Parthenon would show how the Greeks could have experienced losses as well as victorious from heated battle. The metope would create a fierce example of war and competition within the Parthenon. Another significant work inside of the Parthenon was the frieze detailing the Panathenaic Festival. This Ionic inner frieze has many parts to it but on the east it illustrates a group of gods and goddesses who are spectators of the festival. This part of the frieze is significant by showing that the gods were invited to the festival and their importance might be shown by the way that they are seated while the other spectators are standing. The gods seem to be extremely casual, discussing the events to each other and pointing as they observe. The artist must have shown these gods in an enjoyable, relaxed setting to show their importance. It is similar to a king a... Free Essays on Parthenon's Masterpieces Free Essays on Parthenon's Masterpieces Greek art held many terrific pieces of art found in many structures with many different styles, but some of the greatest art could be found in the Parthenon. The Parthenon withheld many great metopes, friezes, and pediments that were all magnificent art with intriguing stories. The metope of the Lapith verses the centaur, the frieze showing the Panathenaic Festival, and the pediment that presents the three goddesses; narrate their individual stories in many ways. The metope on the south side of the Parthenon depicts a battle between a Lapith and a centaur. It shows a Lapith rising up on its back legs after striking a centaur to the ground. This tells us the story of how the Lapiths and the centaurs had contentions in which the Lapiths probably triumphed on more occasions. The sculptor knew how to distinguish the vibrant, powerful form of the living beast from the lifeless corpse on the ground. He illustrates how the Lapith screams victory by rising on its hind legs and stands directly over the centaur as if it had just risen from striking him down. This decoration in the Parthenon would show how the Greeks could have experienced losses as well as victorious from heated battle. The metope would create a fierce example of war and competition within the Parthenon. Another significant work inside of the Parthenon was the frieze detailing the Panathenaic Festival. This Ionic inner frieze has many parts to it but on the east it illustrates a group of gods and goddesses who are spectators of the festival. This part of the frieze is significant by showing that the gods were invited to the festival and their importance might be shown by the way that they are seated while the other spectators are standing. The gods seem to be extremely casual, discussing the events to each other and pointing as they observe. The artist must have shown these gods in an enjoyable, relaxed setting to show their importance. It is similar to a king a...

Operating management 222 Assignment Example | Topics and Well Written Essays - 2000 words

Operating management 222 - Assignment Example This is the reason behind the need for a new floor design by the Hubcafe. Introduction This is a critical analysis of requisite operation management aspects that will improve the quality of services, efficiency and overall sales volume of the Hub cafe. It is important to note that operation management is a cardinal tool for overseeing various activities and making informed decisions concerning resources allocation based on priority with the aim of maximizing efficiency and minimizing cost. In this case, the management needs to put several factors into consideration when drawing the best plan that would see the cafe improve its efficiency and meet the high demand of customers (Raturi & Evans,2005). This would include the concept of queuing which significantly affects the rate of service delivery to the customers and overall performance of the staff (Meachem, 2005). It is important to make a good floor plan that would increase the space of service and cut o the cost of maintenance and this explains the need for an efficiency based structural design of the interior part of the Hub cafe (Moe, 2010). Being an eating point, the number of clients arriving will significantly depend on the time of the day such that peak and off-peak will definitely apply. The floor plans are two for kitchen and the shop with an aim of regulating the smooth flow of service delivery, easy accommodation at peak period, efficient management of queues and general visual impression of the interior design of the cafe. Aim of the project The increasing pressure from customer demands and threat of competition from other business operators compels the management to undertake reforms and improve several aspects of the cafe‘s performance. This project is therefore focused on effecting structural changes in terms of interior design of the kitchen and shop so that movement of staff, clients and peak factors are taken into consideration (Baraban & Durocher, 2010). This would work towards attaini ng customer satisfaction and improved quality of the Hubcafe services delivery. This plan will equally set precedence for future changes within the organizational culture of best quality services with highest efficiency by the Hubcafe. Present operations The Hub cafe is a eating point where several foods and snacks are served for 12hours. It offers both take-away products and has a space to accommodate customers who wish to take their meals within. The mode of service is self-service and this means there is queuing and several staff is assigned different counters from cash payment point to actual product delivery counters. There is another group of the kitchen department who has the defining responsibility of ensuring constant production and supply of the various foodstuffs. Another group of staff are on the lookout and stands by to attend the customers in the event of any urgent need or additional purchase. The reception point is located at the entrance for minor enquiries pertaini ng to variety of services and products on offer to reduce the time cost of information search within the cafe. Depending on the time of the day, the number of staff on various service counters is altered to ensure efficiency and cost effectiveness. Challenges The current interior design is in line with a floor plan which is relatively strained to accommodate the larger customer number at the peak hours. This